http://jeffreyrothstein.com/ 2025-04-29 weekly 0.5 https://imageproxy.viewbook.com/48913/de2997bfeb9c0a13e726b1428d43bd0a_hd.jpg http://jeffreyrothstein.com/artwork 2025-04-29 weekly 0.5 https://imageproxy.viewbook.com/48913/30d324c8bddb5a100c2454b9b8a708a7_hd.jpg Oblique Strategies-series statement below Jeffrey’s Oblique Strategies bridges the realms of photography and painting, drawing inspiration from the geometric abstraction of the 1960s and 70s while reflecting the enduring influence of Maynard Dixon’s painterly landscapes and Laura Gilpin’s 1930s photographic meditations on the American West. Digitally composed and then printed as singular, unrepeatable works on canvas, the series transforms photographic captures of painted textures, walls, and surfaces into vivid, abstract compositions that reimagine the natural world in bold, graphic terms. Grounded in a deep connection to Utah’s ancient landscapes, Oblique Strategies distills the artist’s impressions into luminous, impressionistic visions that emphasize form, energy, and the sublime. Like Dixon’s expansive vistas and Gilpin’s nuanced interplay of light and shadow, these works celebrate the monumental and the intimate, transcending representation to explore the elemental power of color, geometry, and painterly abstraction. Through this synthesis, Jeffrey blurs the boundaries between mediums, creating a dynamic tension that allows his work to both command space and harmonize within architectural contexts. By channeling the timeless spirit of the American landscape into contemporary abstraction, Oblique Strategies becomes a meditation on presence, transformation, and the enduring resonance of place. Amelia Abdullahsani / Founder and Director • Lu Magnus • Singapore https://imageproxy.viewbook.com/4c6cb45de0146c7915b1fca59d4d10a2_hd.jpg The Plateaux of Mirrors- series statement below Jeffrey is best known for his iconic landscapes based on Chinese paintings of the 8th and 10th centuries, The Zion Series: Plateaux of Mirrors (2010-17), a project born of his love of the western United States and his fascination with the intersection of painting and photography. His new work, a continuation of the Zion series subtitled Both Directions at Once is a deeper journey through the primordial landscapes of southern Utah and his ecstatic vision of his experiences in those spaces. As he sees it, the line between perception and hallucination is not as crisp as we like to think. In a sense, when we look at the world, we are hallucinating all the time. One could almost regard perception as the act of choosing the one hallucination that best fits your perception at the moment, the bridge when one thing appears and the other disappears. This is the space he looks to create in his work. These extraordinary landscapes appear and change according to his emotions and thus reveal the magic and beauty contained therein while mirroring the qualities of the artist himself. https://imageproxy.viewbook.com/48913/fb517219949bf4987cb4f6e0086cecf6_hd.jpg The Architecture of Mountains- series statement below The Architecture of Mountains extends the vision of my Zion series, continuing my exploration of the photograph as a painterly medium. For this body of work, I used a low-orbit satellite as my eye in the sky—an instrument I could direct to photograph specific remote locations on Earth. These raw images, transmitted directly to me, were stripped of drama: flat, muted, and technical in nature. Through color, contrast, and tonal intervention, I reimagined these datasets, translating them into atmospheric compositions that evoke the spiritual presence of land. Immense mountain forms and immeasurable distances are rendered intimate, even fragile—flattened and abstracted into layered gestures that echo painting more than conventional photography. These works invite the viewer to consider a new kind of landscape: one mediated by technology, yet deeply rooted in the emotional and aesthetic language of natural form. https://imageproxy.viewbook.com/678b3e483aab8df8db815af76571823b_hd.jpg Duets: Memories in a Digital World-series statement below This body of work is fundamentally about dialogue—between past and present, analog and digital, the personal and the cultural. The gesture of placing two images in relation to one another creates what I think of as a visual "duet," where meaning emerges not only from each image on its own but from the tension, harmony, and dissonance between them. While the majority of the images in the Duets series are my own photographs, the project consciously incorporates the language of appropriation. Some images are sourced—fragments of visual culture from film, archives, the web. Their inclusion is not incidental but central to the project’s meditation on memory and authorship in a digital world. As artists, we’re always responding to what came before us; Duets simply makes that dialogue explicit. I get the concern about authorship, especially now, when images are everywhere. But appropriation has long been part of the conversation—from Warhol and Prince to Barbara Kruger and Carrie Mae Weems. I see Duets as part of that lineage—less about borrowing and more about reframing—inviting viewers to consider how meaning shifts when images are re-contextualized, paired, and placed in deliberate conversation. https://imageproxy.viewbook.com/48913/b6cc0097ddd251da2fd22a97a7dd8346_hd.jpg The Geometries of LOVE-series statement The Geometries of LOVE is an ongoing photographic exploration of eroticism, form, and emotional truth. Entirely made from my own photographs, the series is rooted in the long tradition of the nude—charged, intimate, and unapologetically sensual. The subjects, often lovers or partners, are captured in states of erotic and emotional vulnerability. These are not staged fantasies or cold aesthetics of control; they are invitations to witness tenderness, tension, and raw desire. What gives the series its formal distinction is the use of geometric overlays—circles, triangles, lines—that interrupt and intensify the erotic content. These geometries function as a kind of syntax or scaffolding, both framing and fracturing the gaze. They veil and reveal, conceal and expose, creating tension between precision and flesh, intellect and impulse. The newest works in the series evolve this language further. Rather than overt graphical overlays, these images use double exposure as a structural device—layering bodies, gestures, and environments into a single frame. The result is a visceral kind of geometry: a spatial mapping of touch, posture, and dominance. These visual collisions echo the architecture of intimacy—how bodies imprint upon one another, how memory and arousal cohabit the same psychic and visual space. Erotic art, from ancient sculpture to Renaissance painting, from Japanese shunga to contemporary photography, has always contended with the duality of desire: the urge to look and the fear of being seen. The Geometries of LOVE operates in that space. It is not pornography; it is not fashion; it is not irony. It is about the formal structure of longing—how bodies fold into shapes, how erotic energy moves through space, and how intimacy can be drawn. This project is deeply personal, but its forms are universal. It is a body of work where composition is as charged as content, where sex becomes structure, and where geometry is not abstraction but evidence—of connection, of craving, of love made visible. https://imageproxy.viewbook.com/48913/fd562dc4ce83f1eb195dae12b7eb8d0c_hd.jpg https://imageproxy.viewbook.com/48913/371f505c89c4bf0fce5047d252b5e8e2_hd.jpg Both Directions at Once-series statement below In this chapter of his Zion series, inspired by his visceral experiences in the otherworldly landscapes of southern Utah, Jeffrey has created a deeply mystical and hallucinatory body of work, entitled Both Directions at Once. The title refers to a conversation John Coltrane had with the great saxophonist Wayne Shorter about the evolution with his jazz compositions during a recording session in the 1950’s “....about starting a sentence in the middle, then going to the beginning and the end of it at the same time.... both directions at once.” For Jeffrey, this dialogue between these two jazz greats was an “a ha!” teaching moment as it was the nexus of his art practice in the field; to have an inner dialogue with the landscape, to be in the “middle”, to embody both the spirit and to be moved close to tears by its’ beauty- the “beginning” the reason he keeps going back time and time again to these spaces and at the same instant to be utterly open to the moment and to capture that energy on film, “the end.” In creating Both Directions at Once, Jeffrey wants to bring the viewer into his hallucinatory experience, to see these landscapes as he witnessed and experienced them, a magical place filled with overwhelming beauty and strangeness, humbled by the immense expanse of time and grounded in a certainty that these ancient landscapes are very much alive and speak to those who are attuned to listen. https://imageproxy.viewbook.com/1cf22fef51ba20ef47a3e3cfbdc3540b_hd.jpg https://imageproxy.viewbook.com/48913/8beade63f78f9b81b1987cbfcc758370_hd.jpg https://imageproxy.viewbook.com/8c8ddee0420cb0939323ff8a160ac036_hd.jpg Unsafe Sex https://imageproxy.viewbook.com/48913/49f80e0cef9a7ae24065af3c613d45ab_hd.jpg https://imageproxy.viewbook.com/48913/259865e1ca4155c85ba8ed31a93ff3f8_hd.jpg https://imageproxy.viewbook.com/48913/9d7c0e2c939227cc2faa7b870cbef92b_hd.jpg https://imageproxy.viewbook.com/8ee330093a5b0e9c8e1b261d09ae0cf0_hd.jpg Zion Cayon: The Plateaux of Mirrors This series was a true labor of love as I studied with a curator at the Met for a year and was given access to Tang and Song Dynasty artifacts and scroll paintings which inspired and informed this series. I also worked with a professor of Chinese art history at Rutgers (now passed sadly). I went to Zion National Park on the Utah/Arizona border over a 3 year period to shoot and then spent another year printing from early test prints to the finished gallery prints. A private foundation in Britain provided funding to make enormous prints and a wonderful space to show some of the Zion Mandalas. https://imageproxy.viewbook.com/48913/cac5fb60405a11595dfe2c8811c9bce6_hd.jpg https://imageproxy.viewbook.com/096ea77d7e324c9f3d383fef67e77e1b_hd.jpg Bows https://imageproxy.viewbook.com/48913/6373bccb3119c8d067fd859224cc14a1_hd.jpg https://imageproxy.viewbook.com/48913/d6def59a71992917912510a78b1ded9f_hd.jpg https://imageproxy.viewbook.com/48913/4d3dd7e6fb5be3d7ecfd62ffc75a9a90_hd.jpg https://imageproxy.viewbook.com/48913/f3bdd4c5471f6ff8be7e23817de513b1_hd.jpg https://imageproxy.viewbook.com/74b8424061d43a1a025133f8b5cc682c_hd.jpg https://imageproxy.viewbook.com/48913/3f4643e113d1ca95336c2723f93b5fe9_hd.jpg https://imageproxy.viewbook.com/395cf866aaab2f8dcfa42be3a6d96f38_hd.jpg Crack addict https://imageproxy.viewbook.com/48913/806fffb78bfdfb3cb4c3775910b90c06_hd.jpg https://imageproxy.viewbook.com/48913/26654aad96515663f4a214d2da4deed1_hd.jpg Both Directions at Once series 2021 https://imageproxy.viewbook.com/48913/e6b1685bf2136e8fe2b4927a61467551_hd.jpg https://imageproxy.viewbook.com/48913/34ae1a36e50765e2a39c495bdf7f6c0e_hd.jpg https://imageproxy.viewbook.com/72c071d38f312e4c810efd4792b81a88_hd.jpg https://imageproxy.viewbook.com/48913/fd1d1a280732607b941d82c12f5de015_hd.jpg https://imageproxy.viewbook.com/48913/e66716a38f9fb686b33a0291640dd456_hd.jpg Birds of Paradise https://imageproxy.viewbook.com/48913/0f8115efe369f304b79e4e3ce163ab2e_hd.jpg https://imageproxy.viewbook.com/48913/ef591325817eca500f711aac13efbf60_hd.jpg Both Directions at Once series 2021 https://imageproxy.viewbook.com/48913/ad8a9902002b2bd892572687c982fc19_hd.jpg https://imageproxy.viewbook.com/48913/f2f1888582d36f4625149dcb17db0269_hd.jpg https://imageproxy.viewbook.com/5c1ceb36134bffc7d0489b5c629931bd_hd.jpg https://imageproxy.viewbook.com/48913/4f5db1b9f0fa284fcb4efd673941e4f9_hd.jpg https://imageproxy.viewbook.com/d62e8477cbba8402f4bb0d07c1ea2cf1_hd.jpg Alll in the Family https://imageproxy.viewbook.com/48913/7a13cec08938ebd4a1af725a345e5b32_hd.jpg https://imageproxy.viewbook.com/48913/23d7deae53f394e188a9f40507c8e847_hd.jpg https://imageproxy.viewbook.com/48913/22dd3701a15fe0fcc8009effe301ec0a_hd.jpg https://imageproxy.viewbook.com/48913/e67647fbde7ea8c2ef5c87dffb3bb6c1_hd.jpg https://imageproxy.viewbook.com/e6ee71a862e6aff1fb09f181e600bb2f_hd.jpg https://imageproxy.viewbook.com/48913/8d0b4549330dc5207a32064a4c097b9b_hd.jpg https://imageproxy.viewbook.com/2f73731cf6b7e41edb6e18f8ba4e819d_hd.jpg Death becomes Him https://imageproxy.viewbook.com/48913/5ed5b0ff4d0f8e6fc6ce557b4459254a_hd.jpg https://imageproxy.viewbook.com/48913/039110138e2392de9cc999321ba446e6_hd.jpg Both Directions at Once series 2021 https://imageproxy.viewbook.com/48913/1e8b68bf3bc4d75d706db2298e2159ee_hd.jpg https://imageproxy.viewbook.com/48913/fe85a895f01b8a41aecd20e2cd291bea_hd.jpg https://imageproxy.viewbook.com/a889abb8d7d96b8eb2c8f2f47401dc65_hd.jpg https://imageproxy.viewbook.com/48913/62e1176255495d7789f43ae2fdfb066e_hd.jpg https://imageproxy.viewbook.com/9467bc7556eb5437cf4d6e88d0a172e9_hd.jpg All the Young Dudes https://imageproxy.viewbook.com/48913/4d214b9df00895de260b1f7f0d2222a4_hd.jpg https://imageproxy.viewbook.com/48913/0dd70056f764942f8f6c944f85c97ee8_hd.jpg Both Directions at Once series 2021 https://imageproxy.viewbook.com/48913/d15d2501c36597096864604e5fd63aa2_hd.jpg https://imageproxy.viewbook.com/48913/b93d8ba204cb60f7a6146e7b016d77dd_hd.jpg https://imageproxy.viewbook.com/a49708184623b3b8f5c3d5255fcaaf1d_hd.jpg https://imageproxy.viewbook.com/48913/1e4a130c266ae2029f5be2a59a01d63b_hd.jpg https://imageproxy.viewbook.com/628c113d5160c0596d7dee57e54c9c45_hd.jpg Suburbia https://imageproxy.viewbook.com/48913/af4f47a47bf50bd7d6528c161127d1a8_hd.jpg https://imageproxy.viewbook.com/48913/4a64f20a22f1d5fba477df1902bf60ff_hd.jpg Both Directions at Once series 2021 https://imageproxy.viewbook.com/48913/ba54bfdca8d6ef647d36290ce288fd17_hd.jpg https://imageproxy.viewbook.com/48913/3dfb33b93175131521a2d8c16d71bb1c_hd.jpg https://imageproxy.viewbook.com/8feae1350a94760caf5b695de29d4561_hd.jpg https://imageproxy.viewbook.com/48913/9e3eac31740602e31e10974ad0966faa_hd.jpg https://imageproxy.viewbook.com/c86ecb0bfa5fa01f06101ff968180765_hd.jpg Marlboro Mao https://imageproxy.viewbook.com/48913/f465df6268c16ebd36c8ef0847ed9a50_hd.jpg https://imageproxy.viewbook.com/48913/0cfee36e617c6ca90192967c6e81a596_hd.jpg https://imageproxy.viewbook.com/48913/3455ffb060d7139fd833b08fc70b0e7f_hd.jpg https://imageproxy.viewbook.com/48913/9c97245028b4b275e0ca7ae13d1b62ca_hd.jpg https://imageproxy.viewbook.com/11969a847be8f70cda2ed86d462abdf0_hd.jpg https://imageproxy.viewbook.com/48913/e23419be0ca6b684b99d21dd2f1aa075_hd.jpg https://imageproxy.viewbook.com/7435868425132e7a0b56775d862cccd3_hd.jpg Calliope https://imageproxy.viewbook.com/48913/0c39cb9a111e90b820506220f005d170_hd.jpg https://imageproxy.viewbook.com/48913/c8e2e7c6188b275d9d64f7965249125b_hd.jpg https://imageproxy.viewbook.com/48913/83e08538ebab9076607140334482cda5_hd.jpg https://imageproxy.viewbook.com/3a0269141701b219f5e46f311f772d9e_hd.jpg https://imageproxy.viewbook.com/48913/85233dea61270451e5e8e8fb39b24c24_hd.jpg https://imageproxy.viewbook.com/00a969e35cb8d0e902ad8c8a2abbaa7f_hd.jpg Full Metal Jacket https://imageproxy.viewbook.com/48913/c8df6467ee14ffbdd12e59f15b9854e1_hd.jpg https://imageproxy.viewbook.com/48913/4a512663dad053b355dffb1ef0daf868_hd.jpg https://imageproxy.viewbook.com/48913/943fb4c96a51751da0e40b04fc83bfc0_hd.jpg https://imageproxy.viewbook.com/48913/ecccc3b7c172721b466b5f9cde410bcd_hd.jpg https://imageproxy.viewbook.com/c42cd49ab561949f473ec9a2692e652f_hd.jpg https://imageproxy.viewbook.com/48913/31bf73a39ca3b259bdf2cd18e47678e7_hd.jpg https://imageproxy.viewbook.com/553c992c2936a662a6b8285777c0c9bb_hd.jpg A Night at the Opera https://imageproxy.viewbook.com/48913/6a93d2e19b858f0682decf1717c8d313_hd.jpg https://imageproxy.viewbook.com/48913/fe3a58729d6eaf9b3ccee98ab6a7f334_hd.jpg https://imageproxy.viewbook.com/48913/3d388b47825759f333c5aa619d552045_hd.jpg https://imageproxy.viewbook.com/48913/c1efa94e89ccca80394048f4d219bfc4_hd.jpg https://imageproxy.viewbook.com/37aae273eb5cfb7a2bd285d2926670b4_hd.jpg https://imageproxy.viewbook.com/48913/12b7cf268a57b847f0872a139dd0becf_hd.jpg https://imageproxy.viewbook.com/51cee1e18ef6068d2bb4bfe6e7828427_hd.jpg Pretty in Pink (Debi) https://imageproxy.viewbook.com/48913/8ff682513278de96f0bf89c67ae8ce3c_hd.jpg https://imageproxy.viewbook.com/48913/0a70dfd1d9d0382120670660fa1db286_hd.jpg https://imageproxy.viewbook.com/48913/1c5155040fcbc5ffebc05eac15a87782_hd.jpg https://imageproxy.viewbook.com/6e269475e371b59e44ad9b30198bcb18_hd.jpg 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https://imageproxy.viewbook.com/48913/619c34df1cb405207ce7afd5a63eb355_hd.jpg https://imageproxy.viewbook.com/48913/520a566d7fdeda4d045d4a3715469273_hd.jpg https://imageproxy.viewbook.com/4b362979225165d0f38efb61061446da_hd.jpg https://imageproxy.viewbook.com/48913/91e39f1c5a762cdb2b459f80c04b38ce_hd.jpg https://imageproxy.viewbook.com/777073dd1ec553b255c020bb28c7f349_hd.jpg Plastic Fantastic Lover #2 https://imageproxy.viewbook.com/48913/027ee637ec4fdbdb75770675ed5d85b6_hd.jpg https://imageproxy.viewbook.com/48913/c96b1f37d8200a57d370f6299373a4d7_hd.jpg https://imageproxy.viewbook.com/48913/d4ee03fc08567dd3ecd8190ebf622999_hd.jpg https://imageproxy.viewbook.com/48913/aca7684c6d48e9359d8997a2bbbbaa5c_hd.jpg https://imageproxy.viewbook.com/e4415b551dc2df84ed0d9a2af7d7af57_hd.jpg https://imageproxy.viewbook.com/48913/77f8431f8bd8de104b79bc4837dc7f8f_hd.jpg https://imageproxy.viewbook.com/25889e420dc8f8e3e357bf79041781af_hd.jpg Octopus's Garden https://imageproxy.viewbook.com/48913/a757a816182fcfc1f8f8bba1f9cf1522_hd.jpg https://imageproxy.viewbook.com/48913/fceeaaca8dd9feb01b136e34e388b7a2_hd.jpg Oblique Strategies series https://imageproxy.viewbook.com/48913/311dbc47599d129c6497bb74bf30d114_hd.jpg https://imageproxy.viewbook.com/48913/a875320746721e134c8aa2ee8547fdb1_hd.jpg https://imageproxy.viewbook.com/c6c38c685d8677a4da36e2342595113a_hd.jpg https://imageproxy.viewbook.com/48913/ae0d84e5d8510394bd7e8055921ca9f0_hd.jpg https://imageproxy.viewbook.com/1f2894872a63a7fa7244e74953ac20ff_hd.jpg The Invention of Art https://imageproxy.viewbook.com/48913/447a59aa3067ce6aaa99a346b1c4a833_hd.jpg https://imageproxy.viewbook.com/48913/a4bdcfad9fde2d1cf1a2c059a277496d_hd.jpg https://imageproxy.viewbook.com/48913/fae5c74ea0c7c1857f1d18509d6bb30d_hd.jpg https://imageproxy.viewbook.com/48913/60d07b34645156f332baee3dbe45d7f6_hd.jpg https://imageproxy.viewbook.com/c3788ed2b890dbf4be70190821091ef1_hd.jpg 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